Myrtle Soup (2021)
Like most of the world, British-based indie rocker John Myrtle spent most of the past year alone in his home amid the global pandemic. His new LP, Myrtle Soup, was created during his time in isolation, driven by internal uneasiness from a sudden lack of scheduled structure. A massive amount of pandemic-based art created over the past twelve months focuses on mortality, destruction and the end of the world. Myrtle’s debut avoids this cliche, and instead centers his pleasant ten-track debut on the feeling of having too much time, rather than not enough.
Head of the Household (2021)
On their new record, Head of the Household, Birthday Ass masterfully intertwine jazz, punk, and noise influences across nine animated tracks. The experimental sextet have found their footing on their second album, combing a deep understanding of music theory with traditional indie rock, making them a strong addition to the ongoing legacy that is New York City’s art-rock scene.
a softer focus (2021)
On her new album, a softer focus, experimentalist Claire Rousay hones in on the importance of subtle noise. Across six obscure compositions, the San Antonio-based artist weaves together ambient synth melodies with a diverse collection of field recordings. With her unique use of these niche elements of noise, Rousay has created a record that labels music as a connecting point between humanity and the underappreciated beauty in nature.
Ice in the Desert (2021)
Seven years ago, David Ashley launched his career as a multidimensional artist, slowly releasing a collection of unbelievably versatile projects. His skill as a lyricist runs hand-in-hand with a brilliant and natural ability to observe societal shortcomings with great perception. On his captivating new project, Ice in the Desert, the seasoned rapper/producer delivers a strong debut as Convertible Ashley, beginning an exciting new chapter in an already promising career.