Paint it Clear (2021)
Over the past 4 years, Alien Nosejob has proved to be one of the most dynamic artists across Australia’s expansive DIY punk scene. After exploring two very different sides of the genre last year, the one man band returns with a focus in synth-driven power-pop. Paint it Clear is both a shift and evolution for Alien Nosejob, proving that the multi instrumentalist has a reach that continues to extend far beyond one style.
Hidemi (2021)
Jazz saxophonist, Patrick Shiroishi, has created a career exploring the history of Asian-American oppression. On his latest album, Hidemi, Shiroishi delivers one of his most personal albums to date, with a focus on his grandparents and their time spent in a Japanese internment camp circa World War II. Hidemi incorporates the healing power of spiritual jazz as Shiroishi travels through his family’s resilient history.
Dope Game Stupid (2021)
On his debut, Detroit rapper, Bruiser Wolf, layers punchline-heavy rap with clever pop culture references and outrageous satire. Dope Game Stupid is a captivating thirteen track listen, intertwining hip-hop’s emphasis on lyricism and breathe control with an unconventional artistic persona that could only exist under the leadership of Danny Brown. The album may be the first formidable creation from the warped mind of Bruiser Wolf, but it establishes his presence in music with an entrance that refuses to be ignored.
Aromanticism (2017)
On his first record, Moses Sumney invited listeners to join him on an introspective journey towards self-care and confidence. The minimalist musical build of his debut is the perfect companion to his emotional lyrical themes that explore the beauty in being alone. Aromanticism is a stunning record layered with poetry and unique song structure, providing a thought-provoking foundation for an artist who has since redefined many age-old norms across pop music.