Hidemi (2021)
Jazz saxophonist, Patrick Shiroishi, has created a career exploring the history of Asian-American oppression. On his latest album, Hidemi, Shiroishi delivers one of his most personal albums to date, with a focus on his grandparents and their time spent in a Japanese internment camp circa World War II. Hidemi incorporates the healing power of spiritual jazz as Shiroishi travels through his family’s resilient history.
Galloping Through a Wormhole (2021)
Parlour Tapes co-owner, Zach Moore, has a background as a trained double bassist, and has frequented Chicago’s performance art circuit as a member of Mocrep. On his solo debut as ZM, Moore masterfully performs a wide variety of genres over the span of a spectacular 64 minute composition. Galloping Through a Wormhole unfolds gracefully while fluctuating between large instrumental arrangements and layers of tranquil minimalism.
The Heart Pumps Kool-Aid (2021)
As fentanyl-based opiate use tears through middle America, overdoses and death have become everyday occurrences for certain cities and towns. On The Heart Pumps Kool-Aid, experimental composers More Eaze & Seth Graham join forces as —-___—___, and use elements of harsh noise and understated ambient soundscapes to work through the tragedy that accompanies the current drug epidemic.
New Amerykah Part Two (Return of the Ankh)(2010)
Erykah Badu’s stature in contemporary R&B has been overwhelmingly powerful for over twenty years. In that time, her creativity has evolved in numerous ways, with her second opus arriving through the futuristic magnificence of New Amerykah Part Two (Return of the Ankh) (2010). Her fifth record is a glorious homage to her soulful hip-hop roots, and effortlessly ties together all of the most rewarding elements of her iconic legacy.